In a world where design often strives for the futuristic and the cutting-edge, SUPER RAT stands out as a studio that embraces the past and present in a unique and captivating way. Founded by Kazuki Nagasawa, this Tokyo-based collective crafts a narrative that bridges the gap between tradition and innovation, offering a fresh perspective on what it means to create in the modern era.
The Power of Natural Materials
At the core of SUPER RAT's philosophy is a deep connection to the earth and its materials. Their work revolves around the bark of Trachycarpus fortunei, commonly known as shuro, a material that, despite its fragile appearance, possesses an intriguing resilience. By treating this bark with kakishibu, a liquid derived from fermented persimmons, and iron mordants, the studio reveals a hidden complexity, transforming it into a medium that speaks to both the past and the present.
What makes SUPER RAT's approach so fascinating is their ability to observe and reinterpret tradition, rather than simply replicate it. As Nagasawa explains, the studio engages in a process of trial and error, utilizing traditional adhesives to unlock the full potential of shuro bark. This hands-on, experimental approach is a testament to their commitment to pushing the boundaries of what is possible with natural materials.
The JUHI Series: Light, Form, and Function
The JUHI Series, which includes HOUYOU, MA, UTSUWA, and KOMORE, showcases SUPER RAT's mastery in translating their research into tangible, functional objects. Each piece in the series embodies a respect for traditional Japanese culture and sustainable practices, combining reclaimed materials and natural dyes to minimize environmental impact.
In HOUYOU, a table lamp, the bark is shaped into a protective cone, embracing the light source and revealing an unexpected strength. KOMORE, a spherical pendant light, diffuses light softly, creating a warm and inviting atmosphere. The use of discarded parts and traditional fastening systems adds an element of durability and delicacy to these designs.
MA and UTSUWA take this concept further, transcending their primary functions to become tools for exploring the material itself. MA, a tabletop divider, showcases the stability and modularity of the bark's mesh structure, while UTSUWA, a vessel, highlights the beauty of translucency and color variations achieved through traditional techniques.
Beyond Tradition and Innovation
SUPER RAT challenges the traditional dichotomy between tradition and innovation. They don't merely update tradition; they reconstruct it, giving it new life and meaning in the present. By treating shuro bark with ancient techniques and transforming it into light and translucency, the studio reveals a path forward that honors the past without being bound by it.
As the designer states, they don't simply bring traditional crafts into the present as they are; they rebuild and reinterpret them, ensuring that they acquire new value and relevance. This approach keeps their creations in a state of constant transformation, revived through the 'memory of the hands', resulting in a language that is both primitive and refined.
A Deeper Connection
What SUPER RAT achieves is a profound connection between nature, culture, and everyday life. Their designs are not just objects; they are stories, narratives that emerge from the earth and local craft traditions. By engaging with these materials in a respectful and innovative way, the studio creates a bridge between the past and the present, offering a unique and captivating perspective on design.
In my opinion, SUPER RAT's work is a reminder that true innovation often lies in the careful observation and reinterpretation of the past. It's a fascinating exploration of how tradition can be a powerful tool for creating something new and meaningful in the present.
